Key Decision on Copyright for Applied Art
On October 24, 2024, the Court of Justice of the European Union (CJEU) ruled that EU countries cannot deny copyright protection to original works of applied art just because they come from non-EU countries that do not offer similar protection. As long as a work meets the EU’s definition of originality, it must be protected under EU copyright law, no matter where it was created or who the author is.
This ruling, following a request from the Dutch Supreme Court, reinforces the EU's commitment to a unified copyright system based on originality rather than country of origin.
Background: The Vitra vs. Kwantum Case
The case involved Vitra, a Swiss furniture company that owns the rights to designs by American designers Charles and Ray Eames. One of their well-known creations, the Dining Sidechair Wood (DSW Chair), was designed in 1950 for a competition by the Museum of Modern Art (MoMA).
Kwantum, a Dutch-Belgian furniture retailer, sold a similar chair called the "Paris Chair", which Vitra claimed was a copy of the DSW Chair. Vitra sued Kwantum in the Netherlands for copyright infringement.
The Dutch Supreme Court asked the CJEU whether EU countries could deny copyright protection to foreign works based on the reciprocity clause in the Berne Convention. This clause states that if a non-EU country does not protect a type of work under copyright, an EU country could also refuse to protect it.
What the CJEU Ruled
The CJEU decided that EU countries cannot use the Berne Convention's reciprocity clause to deny copyright protection. Instead, EU law (specifically the Infosoc Directive 2001/29) takes precedence, requiring equal protection for all original works.
Key Takeaways from the Decision
Originality is the Only Requirement
Copyright protection in the EU is based solely on originality.
Previous cases (such as Cofemel and Brompton Bicycle) confirmed that if a work is original, it qualifies for copyright protection.
Harmonized Copyright Law Across the EU
Allowing individual EU countries to apply different rules would undermine the goal of having a unified copyright system.
Respect for Fundamental Rights
The EU Charter of Fundamental Rights protects copyright as a fundamental right.
Only the EU legislature (not individual countries) can decide if foreign works should receive limited protection.
Equal Treatment for Foreign Works
Unlike copyright duration and resale rights, EU copyright law does not include reciprocity rules.
The Infosoc Directive applies regardless of where the work was created or the nationality of the author.
Impact of the Decision
The ruling confirms that all original works must be treated equally under EU copyright law, regardless of their country of origin. This strengthens copyright protection across the EU and ensures that non-EU artists and designers receive the same rights as EU-based creators.
However, the ruling also raises some concerns. By stating that all works meeting the originality standard must be protected, the CJEU may have overlooked whether the EU actually intended to regulate foreign authors' copyright access in this way.
Despite this, the decision opens up the EU market to more foreign works, offering protection even to creators from countries that do not provide copyright protection for their own citizens.
Future Developments
The CJEU is expected to further clarify copyright rules in upcoming cases, including:
Mio vs. Asplund (C-580/23)
Konektra vs. USM Haller (C-795/23)
Institutul G. Călinescu case (C-649/23)
These cases will likely refine how originality is assessed and whether any additional conditions apply.
Conclusion
This ruling is a significant step toward a single, unified copyright system in the EU. While some legal experts debate whether this approach was the EU's original intent, the outcome is clear: all original works are protected in the EU, regardless of their origin.